The introduction to this comic, issue 2, tells us that the creator, let's
call him Dave, has tried to learn to draw since he produced issue 1. Well he's
still got a way to go but a variety of approaches are on display and the enthusiasm,
or is it anger?, with which this apparently semi-autobiographical zine was produced
seems to shine through. There are six or seven separate stories though it's sometimes
hard to tell where one starts and the next ends. We have skiving, Leeds, emotional
break-ups, reality TV, and more. Some bits are funny, some are thoughtful and
we learn a little about the author and his state of mind when it was produced,
or at least maybe I think we do. It's A5 and the author says he's produced another
zine called War is death and oppression, about which we are told nothing.
Maurice Wakeman |
In his intro, creator Dave worries about the personal nature
of issue 4, which he fears may be seen as self indulgent, before defending it
because he's pleased with it aesthetically. I assume a couple of melancholic cartoons
about a recent breakup are what's meant here, though by the standards of Mighty
Joe Matt, there's no self-revelation that should raise a blush. Nor is
there, at first glance, anything to shout about graphically. However what appears
to be a rather roughly drawn, hasty zine, turns out on closer reading to be something
more sophisticated, dreamy and poetic, with images and symbols running through
different stories like a river.
A prelude shows scenes of a diseased city, swollen with bureaucracy, where time
passes without meaning. Thoughts Walking Home follows, a meditation on
reading Joan Didion's Slouching Towards Bethlehem, her collection of essays
about sixties counterculture, while Dave is feverish in a squat and, at one point,
interrupted by a police visit. The story eventually whites out into a desert sun
on a horizon - Didion's California, but also an icon repeated elsewhere through
the zine including the cover. Turning the page, the sun becomes the uppermost
bubble in a thought balloon of a tiny figure slouching home through a rainy cityscape.
Panel transitions like this, from blazing desert heat to downpour, are why Dave
should keep making comics.
The desert sun appears again in The Adventures of Johnny and Doodlebug
where panel one informs us Doodlebug has abandoned his own strip in disgust at
its pretension - leaving Johnny to mercilessly rip into the rest of his creator's
efforts. Another strip starts with a panel of a setting sun then pulls back to
show Dave drawing it, wondering about it for a few panels before abandoning the
strip. Yet there's something mesmerising about a strip in which you the reader
watch an artist watching what he's drawing.
As well as the comics, there are some random bits and pieces including a very
funny description of a self harming German performance artist, bread making tips,
and some excellent Great Moments in History. My final mental image of Dave
is of a slightly damaged idealist wearing a Nietzsche T-shirt and a gentle smile.
Extricate #4 is an atmospheric zine that rewards closer attention than its
appearance might at first seem to merit.
Heather Middleton
|