The Assassin & The Whiner | The Assassin & The Whiner #9 © Carrie McNinch |
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What is it about comics people (or should that be 'comix people'?)
that compels them to do strips about their lives? Is it because they want to further
the medium itself, by breaking it out of it's stereotyped subject matter? Or is
it because it's cheaper than therapy? My opinion is that they do it because the
readers send them letters telling them how great they are and how they, like,
empathise with the artists' crappy life (I've never seen an autobio strip by someone
who hasn't got a crappy life, though maybe that's just my narrow spectrum of experience).
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The Assassin & The Whiner #14 © Carrie McNinch |
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Having been away from comics for a while, I haven't previously
come across Carrie McN (based in LA when this was created in mid-2000). The material
presented here covers a five-month period, and I hope she's still as prolific,
as this is a highly engaging and thought-provoking comic. The material, mostly in two or three page strips, is roughly divided between fairly straightforward – but insightful – autobio vignettes (such as bumping into the girl on whom she had her first crush at school, and having to go on her first-ever bra shopping trip, after weight loss has made her boobs sag), and other aspects of her life looked at in a more poetic, metaphorical way. This latter category includes her libido being stolen by a cheeky imp, and facing an enormous staircase that stands between Carrie and where she wants to be. Some of this material is quite dark, as Carrie worries about how much she's drinking or her perceived disconnection from the world, but it's delivered in a solid, pleasingly confident graphic style, which gives the lighter pieces a nice narrative bounce, and prevents the darker pieces from collapsing under their own weight. One three-page piece in particular stands out. Against full-page backdrops of roads in the LA Hills, Carrie comes to terms with some unspecified act of betrayal or abuse that 'involved' her. As she passes through rage and sadness, she comes to appreciate that the depth of the emotions that she was feeling is what makes us human, ending on the forward-looking note that, "The ability to feel is the ability to live, and, after all, isn't that what life is all about?" As this work is over three years old, Carrie McN might be doing something totally different by now, but I hope she's still making comics with the same blend of intensity, craft, charm, verve and insight. And I hope she's happy! Tom Murphy |
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